Announcements

CFP: Bronwen Wallace: Essays on Her Work

2019 marks the 30th anniversary of the death of Bronwen Wallace (1945-1989), a significant Canadian poet, prose-writer, and activist. Though her life began and ended in Kingston, Ontario, her influence was felt across the country.

Her five collections of poetry, Marrying into the Family (1980), Signs of the Former Tenant (1983), Common Magic (1985), The Stubborn Particulars of Grace (1987), and Keep That Candle Burning Bright and Other Poems (1990),  her posthumously published short story collection People You’d Trust Your Life To (1990), her correspondence, her essays from the Kingston Whig-Standard gathered in Arguments With the World (1992), the documentary films she made in collaboration with Chris Whynot, and the RBC Bronwen Wallace Award for Emerging Writers established in her memory continue to inspire writers and readers.

We invite articles up to 5,000 words on all aspects of her work, her poetry, her prose, her activism, her influences and enduring impact to be considered for Bronwen Wallace: Essays on Her Work forthcoming from Guernica Editions. In an interview given just months before her death, Wallace said, “If we are going to live with wholeness or integrity in the world, we have to pay attention to the particulars and politics of where we are.”  We encourage contributors to consider the many ways Wallace paid attention and invited us to do the same.

Please send articles to  wanda.campbell@acadiau.ca by April 1, 2019.

CFP: The Scattered Pelican

Dear colleagues,

The Scattered Pelican editorial team hopes you have had a great summer so far, and enjoins you to read and distribute the attached Call for Papers for the Fall 2018 issue of The Scattered Pelican, the Graduate Journal of Comparative Literature at Western University in London, Ontario.

The Scattered Pelican is a double-blind, peer-reviewed journal of Comparative Literature at Western University that aims to provide a space for students and other academics to engage and expand the discipline through the publication of new scholarship. The Scattered Pelican is guided by three core commitments (1) to a comparative approach that embraces pluralism and inhabits the interstices among discourses, (2) to playfulness as a levelling perspective that resists the privileging of certain narratives or objects of study, and (3) to an active and conscious pursuit of scholarship that enlarges the discipline through deep engagement with a broad range of objects of study. The Scattered Pelican aims to publish at least one issue every year, as a digital journal with a limited print run. Please note that we cannot publish all submitted papers; however, we can guarantee that all submissions will go through a fair and objective double-blind peer review process.

The deadline for submission is September 24, 2018.

Website: https://thescatteredpelican.com/

Esther Cheung Award Winner 2018

This year’s winner of the Esther Cheung Award is Sophie-Claudine Desroches, Université de Montreal, for her paper “‘This is Your Fourth Shore’: The Return of the Colonial Past in Antonio Tabucchi’s Piazza d’Italia” presented at Congress 2018 in Regina, SK.

The judges had this to say about this year’s winning paper: Drawing upon Rothberg’s theory of multidirectional memory, as well as upon the critical concepts of counter-memory and lieu de mémoire, a site of memory, this paper explores the colonial subtext of Antonio Tabucchi’s novel, Piazza d’Italia, as an example of defiance of dominant historical narratives, rewriting history from the viewpoint of those silenced in the structures of colonial and gender oppression.

The CCLA Esther Cheung Award goes to the best paper presented at the annual Congress by a graduate student, underemployed and early career (non-tenure-track) academic. The award is valued at $250.

Congratulations to Sophie-Claudine Desroches and to all those who presented at Congress this year.

CFP: 2018 Peter Lang Young Scholars Competition in Comparative Literature

Proposals are invited from early career scholars ­in Comparative Literature for academic monographs to be evaluated by a distinguished editorial board. The winner of the competition will receive a contract to publish the volume with Peter Lang.

Proposals for the Comparative Literature competition should be submitted to Laurel Plapp (L.PLAPP@peterlang.com) by 31 July 2018 and include an abstract (including chapter synopses), CV and a sample chapter (5,000 to 10,000 words in length) in separate Microsoft Word documents.
Proposals are welcome from scholars working on any aspect of Comparative Literature or World Literature and must be written in English. Research that fits within the scope of the Peter Lang book series New Comparative Criticism is especially encouraged (please see below and on the series webpage: http://www.peterlang.com/view/serial/NCC). Proposals under review elsewhere should not be submitted.
The winner will be offered a contract for a non-subsidised book to be published within six months of receipt of the complete and approved manuscript. Planned manuscripts should be 60,000 to 100,000 words in length. Authors will be expected to copy-edit the manuscript in accordance with the style guidelines provided.

Applicants should be early career scholars who have been awarded a PhD between 2013 and 2018 or expect to be awarded a PhD in 2019.
Decisions will be made by 1 December 2018 and the winner will be notified shortly thereafter.
For general information about the competition, please contact Peter Lang Ltd, 52 St Giles, Oxford OX1 3LU. E-mail: oxford@peterlang.com. Tel: 01865 514160.

New Comparative Criticism
Series Editor: Florian Mussgnug, University College London

http://www.peterlang.com/view/serial/NCC

New Comparative Criticism is dedicated to innovative research in literary and cultural studies. It invites contributions with a comparative, cross-cultural, and interdisciplinary focus, including comparative studies of themes, genres, and periods, and research in the following fields: literary and cultural theory; material and visual cultures; reception studies; cultural history; comparative gender studies and performance studies; diasporas and migration studies; transmediality. The series is especially interested in research that articulates and examines new developments in comparative literature, in the English-speaking world and beyond. It seeks to advance methodological reflection on comparative literature, and aims to encourage critical dialogue between scholars of comparative literature at an international level.

Previous Peter Lang Young Scholars Competition Winners:

Zélie Asava, The Black Irish Onscreen: Representing Black and Mixed-Race Identities in Irish Film and Television (ISBN 978-3-0343-0839-7). Available from http://www.peterlang.com/view/product/44966. (Winner in Irish Studies, 2011)

Marina Avelar, Giving with an Agenda: How New Philanthropy Advocates for the Corporate Reform of Education (ISBN 978-1-78707-688-4). Forthcoming 2019. (Winner in Education Studies, 2016)

Prafulla Basumatary, Verbal Semantics in a Tibeto-Burman Language (ISBN 978-1-78707-339-5). Available from https://www.peterlang.com/view/product/80154. (Winner in Linguistics, 2016)
Alberica Bazzoni, Writing for Freedom: Body, Identity and Power in Goliarda Sapienza’s Narrative (ISBN 978-3-0343-2242-3). Available from https://www.peterlang.com/view/product/47470. (Winner in Women’s Studies, 2015)
Paula Blair, Old Borders, New Technologies: Reframing Film and Visual Culture in Contemporary Northern Ireland (ISBN 978-3-0343-0945-5). Available from http://www.peterlang.com/view/product/ 45184. (Winner in Film Studies, 2012)
Mercedes del Campo, Alternative Ulsters: Troubles Short Fiction by Women Writers, 1968–1998 (ISBN 978-1-78874-330-3). Forthcoming 2020. (Winner in Irish Studies, 2017)

Ruth Kitchen, A Legacy of Shame: French Narratives of War and Occupation (ISBN 978-3-0343-0856-4). Available from http://www.peterlang.com/view/product/45001. (Winner in French Studies, 2011)

Katya Krylova, Walking Through History: Topography and Identity in the Works of Ingeborg Bachmann and Thomas Bernhard (ISBN 978-3-0343-0845-8). Available from http://www.peterlang.com/view/product/44978. (Winner in German Studies, 2011)

Samuel Merrill, Networking Remembrance: Excavating Buried Memories in the Railways beneath London and Berlin (ISBN 978-3-0343-1919-5). Available from https://www.peterlang.com/view/product/47058. (Winner in Memory Studies, 2014)

Michèle Milan, Translation in Nineteenth-Century Ireland: A Study of Franco-Irish Translation Relationships (ISBN978-1-906165-65-9). Forthcoming 2019. (Winner in Irish Studies, 2015)

Maria Morelli, Queer(ing) Gender in Contemporary Italian Women’s Writing: Maraini, Sapienza, Morante (ISBN 978-1-78874-175-0). Forthcoming 2018. (Joint Winner in Modern Italian Studies, 2017)

Frances Mossop, Mapping Berlin: Representations of Space in the Weimar Feuilleton (ISBN 978-3-0343-1834-1). Available from http://www.peterlang.com/view/product/46909. (Winner in German Studies, 2013)

Clare Stainthorp,Constance Naden: Scientist, Philosopher, Poet (ISBN 978-1-78874-147-7). Forthcoming 2018. (Winner in Nineteenth-Century Studies, 2017)

Whitney Standlee, ‘Power to Observe’: Irish Women Novelists in Britain, 1890–1916 (ISBN 978-3-0343-1837-2). Available from http://www.peterlang.com/view/product/46914. (Winner in Irish Studies, 2013)

Nina Valbousquet, Rome, Zion, and the Fasces: Italian Catholics and Antisemitism in Europe (1918–1946) ISBN 978-1-78874-190-3. Forthcoming 2019. (Joint Winner in Modern Italian Studies, 2017).

CFP: European Congress of Comparative Literature

THE 8TH CONGRESS OF THE EUROPEAN SOCIETY OF COMPARATIVE LITERATURE WILL TAKE PLACE IN LILLE FROM 28TH-31ST AUGUST 2019: “LITERATURE, CULTURAL EXCHANGES AND TRANSMISSION: KNOWLEDGE AND CREATION BETWEEN PAST AND FUTURE”.

Organizers: Fiona McIntosh-Varjabédian and Karl Zieger

The deadline for abstracts of individual papers and panels has been extended until 22 July, but please let the organizers know by 30 June if you intend to submit a proposal either for a panel or an individual paper.

N.B. The co-panellists are chosen by the head of the panel. It is not necessary at this stage to give the exact identity of the co-panellists. However, please tell the organizers how many sessions you need (one, two, or three sessions of two hours).

Please send your expression of interest / proposals to: karl.zieger@univ-lille3.fr

CFP: The Comparative Literature Students’ Tribune

The Comparative Literature Students’ Tribune is a space of encounter and bilingual discussion in English and in French, where graduate students can share their research projects while reflecting on their discipline. At the first four meetings (organized alternatively in Montréal and Toronto since January 2015) students from a dozen universities presented their scholarly and creative work in both languages, taking different approaches and using a variety of formats.

For its 5th meeting, which will take place at the University of Ottawa on Thursday October 25 and Friday October 26, 2018, the Tribune proposes a new two-day formula. One day will follow the usual conference format of the Tribune, and the other day will be devoted to discussing a challenge specific to graduate students: this year, graduate students’ mental health.

The Tribune encourages comparative literature students to submit a proposal for one or both days. The Tribune encourages students to present their projects in a concise and original format, without any thematic requirement, so as to promote exchanges, debates, and discussions. This meeting is a space for trying out unconventional modes of presentation and for reflecting on the development of PhD or MA theses and other projects. The Tribune looks for presentations who would, for example:

• Explore an alternative mode of communication (for example, in the form of a discussion between two presenters or of a performance);

• Offer an overview of the conclusions or the structure of a research project;

• Define the limits or shortcomings of a research project, with or without suggesting possible solutions;

• Describe the theoretical, methodological, institutional or practical difficulties encountered during research;

• Develop a critical reflection on the current practices of presenting research in academia;

• Analyze the current context and challenges of comparative literature.

The Off-Tribune will discuss graduate students’ mental health, under the same short and original modes of presentation of the Tribune. The Off-Tribune will be the ideal place for:

• Personal testimonies and discussions of personal difficulties in relation to graduate studies (feeling of solitude, blank page syndrome, relationships with the institution, peer recognition, work-life balance, questioning of the intellectual’s place in society, competitiveness, professor-student power dynamics, impostor syndrome, burnout, stress and anxiety, addiction problems, discrimination, harassment, depression, etc.);

• Reflections on the effects of institutional structures on students’ mental health;

• Sharing resources and personal adaptation or empowerment strategies.

We welcome your proposals (150-250 words per proposal), however original and experimental, until August 6, 2018 at the following email address: tribunelitcomp@gmail.com.

Please specify your university affiliation and your year of study. Your presentation should be a maximum of 10 minutes in the medium of your choice. We strongly encourage interested participants to embody the Tribune’s commitment to bilingualism in the very form of their talks: for example, by switching from French to English, or by including translations of key passages in a visual presentation. We welcome international submissions. However, the Tribune does not provide travel grants.

CFP: Intersectionality: Theories, Policies, Practices – Grainau, Germany

The Association for Canadian Studies in German-Speaking Countries is a multidisciplinary academic association which aims to increase and disseminate a scholarly understanding of Canada. For our 2019 annual conference, we invite papers from any discipline that speak to the conference theme of “Intersectionality: Theories, Policies, Practices” with a Canadian or comparative focus. (Papers can be presented in English, French or German.) We are particularly – but not exclusively – interested in the following four main aspects:

1) Beyond Race, Class, and Gender: Historical, Sociological, Geographical, and Political Dimensions of Intersectionality

2) Space and the Politics of Place: Location, Environment, Cross-Border Dynamics

3) Intersectionality and Education

4) Intersectional Approaches: Discourses, Representations, Texts.

Intersectionality, “both an analytical framework and a complex of social practices” (Hancock 2016: 7), has its roots in U.S. Black feminism, where, since the late 1980s, it has been used to address issues of inequality such as disparate access to social resources. While applicable to both individuals and groups, intersectionality focuses on interlocking categories of difference and their impact on a plethora of decision-making processes. Apart from race, gender, and class, the following mutually constitutive categories have been proposed: ethnicity, sexual orientation, age, bodily ability, religion, education, culture, nationality/citizenship status, language use as well as geographical and environmental location. Next to the relationship between categories, internal differences within categories have been considered, with scholars trying to assess power relations, for instance in terms of voice and agency, and thus identifying advantaged and disadvantaged social positions. Over the years, intersectionality has not only developed into a key concept of women’s and gender studies, but left its mark in many other disciplines, among them history, political science, geography, sociology, psychology, philosophy, cultural studies, and postcolonial studies.

In Canada, the experience of discrimination shaped by multiple identities has been recorded in volumes such as Maria Campbell’s Halfbreed (1973), Makeda Silvera’s Silenced (1983), Monique Proulx’s Le sexe des étoiles (1987), Dionne Brand’s No Burden to Carry (1990), or Orville Lloyd Douglas’s Under My Skin (2014). During the time span covered by these publications, Canada witnessed an increasing institutionalization of intersectionality.

Scholarly analyses of Canadian society through an intersectional lens no doubt contributed to this development. Thus Olena Hankivsky and Renée Cormier pointed to health inequities which, for instance, deny Aboriginal women in nonurban environments vital health care services (2009: 16) and Rita Dhamoon underlined the importance of intersectionality for Canadian solidarity politics (2009).

Recent trends in intersectionality research include, first, a more balanced view on processes of marginalization and privileging, acknowledging that a particular group or person might be disadvantaged in one social context but advantaged in another, and, second, a more nuanced perspective on visibility, which is no longer seen as an asset in its own right. Depending on the circumstances, invisibility might lead to beneficial societal positions and might thus be an individual’s or group’s choice. The creative use of multiply-encoded identities at a particular time in a specific social location calls for a more dynamic concept of intersectionality, one that allows including transnational experiences.

Contact and abstract submission:

Paper proposals/abstracts of max. 500 words should outline:

  • methodology and theoretical approaches chosen
  • content/body of research
  • which of the four main aspects outlined above the paper speaks to (if any).

In addition, some short biographical information (max. 250 words) should be provided, specifying current institutional affiliation and position as well as research background with regard to the conference topic and/or four main aspects.

Abstracts by established scholars should be submitted no later than May 31, 2018 to the GKS administration: gks@kanada-studien.de.

Abstracts by emerging scholars should be submitted no later than May 31, 2018 directly to the Emerging Scholars Forum: nachwuchsforum@gmail.com.

Full-time PhD Position at the ULB in German/Comparative Literature – Deadline April 30, 2018

At the Université libre de Bruxelles (Faculty of Letters, Communication, and Translation), a position of an “Assistant” in German/Comparative Literature has been advertised for an initial period of two years, renewable up to six years.

The candidate will carry out a PhD project with a thesis in the field of German/Comparative literature or culture. As the position should prepare a young scholar for an academic career, the candidate will also gain teaching experience by giving the exercise parts of language, literature and culture courses for the Bachelor and the Master programs in German Studies. He/she will grade the written exams and be available for the students during a weekly office hour. The position will be connected to the Chair of German Literature hold by mself.

In addition, the holder of the position will be responsible for some logistic and administrative tasks, such as proctoring written exams.

Skills required:

To qualify for the position, the candidate must hold a Master’s degree of 120 ECTS in Modern Languages and Literature with a specialization in General or in German Literature, or an equivalent degree.

The applicant will either be a native speaker of German or have achieved native-like proficiency. He/she will also demonstrate a high-level mastery of German grammar as well as the literatures and the cultures of the German speaking countries. Good knowledge of French is also required. He/she will have pedagogic and didactic competences and will be able to adapt to different audiences. We are looking for motivated candidates who will help promote the studies of German language and literatures. He/she should be interested in participating in the life of the Department of Modern Languages.

Interested ?

For more information, please contact Dr. Helga Mitterbauer (telephone: +32 2 650.38.18 – E-mail: hmitterb@ulb.ac.be).

Applications must be sent by e-mail to the Rector of the Université Libre de Bruxelles (recteur@ulb.ac.be) and to the Dean of the Faculty of Letters, Communication, and Translation (doyen.ltc@ulb.ac.be).

They must include the following:

·    a letter of motivation

·    a Curriculum Vitae (a template can be downloaded at  http://www.ulb.ac.be/tools/CV-type.rtf)

·    an outline of the applicant’s PhD research project (4 pages)

·    two letters of reference

By sending in their application, applicants acknowledge they have read and understood the additional information and the regulations relevant to research staff, available at the following address http://www.ulb.ac.be/emploi/academique.html.

Please, find the job advertisement in French in attachment; for further information consult: http://www.ulb.ac.be/ulb/vacances/academiques/index.html.

Please, spread the word to interested colleagues, supervisors with potential candidates, and for sure, I would be more than happy to receive applications from WAN members!

 

Congress 2018: Early Bird Registration Ends Tomorrow!

Early bird rates end March 31! Tell your members and register now.

To find out more about each deadline and each action item, refer to the Planning Guide or check out the Organizers Portal at www.congress2018.ca/organizers.

Upcoming key dates:

March 31- Early bird registration deadline

April 5 – Countdown to Congress meeting

April 6 – Deadline to request audio-visual, furnishings and catering

April 20 – Deadline to submit final program


Les tarifs préférentiels expirent le 31 mars! Dites-le à vos membres et inscrivez-vous maintenant.

Pour en savoir plus sur chaque échéance et chaque mesure à prendre, référez-vous au Guide de planification ou visitez le Portail des organisateurs au www.congres2018.ca/organisateurs.

Dates clés à venir:

Le 31 mars – Délai pour soumettre le Formulaire Embauche d’adjoint(e) d’association

Le 5 avril – Réunion En route vers le Congrès

Le 6 avril – Réserver l’équipement audiovisuel, le mobilier et passer commande au service de traiteur

Le 20 avril – Soumettre le programme définitif de votre conférence