Vol. 34 No. 3 (2007)

Articles

• Variations on Central European Th eme: New Cinema of Central Europe as a Part of Our Common Cultural Heritage: Introduction

  WACLAW M. OSADNIK, IRENE SYWENKY

• The First Five Years with no Plan: Building National Cinema in Ukraine, 1992-1997

  BOHDAN Y. NEBESIO

• Adapting the National Literary Canon: Polish Heritage Cinema

  MAREK HALTOF

• The Polish Femme Fatale—Ideological Demand Versus Visual Pleasure

  ELZBIETA OSTROWSKA

• Th e Inverted Drive in Andrzej Żuławski’s Szamanka: A Lacanian Reading of the Post Femme-Fatale

  JAN JAGODZINSKI

• Exasperating Miscommunications: The Cold Europe in Michael Haneke’s Films

  JANINA FALKOWSKA

• What Borders Images and Sounds in Krzysztof Kieslowski’s Th ree Colours

  ALEXANDRA MIEKUS

• Possible Worlds in Krzysztof Kieślowski’s Decalogue

  WACLAW M. OSADNIC

• Teutonic Knights, Hakatists, Fascists: Th e Picture of the German in the Polish Post-War Cinema

  ANDRZEJ GWOZDZ