Vol. 30 No. 3-4 (2003)

Articles

• Editor's Note

  Jonathan Hart

• Once More About Globalization: An Introduction

  MILAN V. DIMIC

• "The Mind-Forged Manacles": Literary Encounters with Culture, Identity, and Subjectivity in an Age of Globalization

  MILAN V. DIMIC

• Re-writing the Subject: The Thrownness of Being in the Multicultural Condition

  CHUNG-HSIUNG LAI

• The Self as Cultural-Linguistic Hybrid in the Age of Globalization

  KWOK-KAN TAM

• Identity Seeking and Constructing Chinese Critical Discourse in the Age of Globalization

  WANG NING

• The Fleeting Windhorse: Tibetan Cultural Identity and the Challenge of Modernity

  EVA K. NEUMAIER

• Does the East Asian - European Interliterary Communication in the Late Qing - Late Meiji Periods Offer a Model For a Globalized Literature?

  RAOUL DAVID FINDEISEN

• Shame and Narcissistic Self in Yu Da-fu's Sinking

  EVA YIN-I CHEN

• Ethical Assimilation in Pearl S. Buck's Peony. An Early Example of Identity and Globalization

  KAI-CHONG CHEUNG

• Geographical Space and Cultural Identity: Self in the Age of Globalization

  TERRY SIU-HAN YIP

• Gao Xingjian's Novel Lingshan (Soul Mountain): A Long Journey in Search of a Woman?

  MARIAN GALIK

• The Freedom of Identity / The Freedom of Non-Identity: Zhu Tianxin and Gao Xingjian on Language and Culture

  Terence C. Russell

• From Diaspora to Homeward Bound: The Development of Ping Lu's Writing

  Shu-ning Sciban

• The Historical Home in Luo Fu's "The Non-Political Totem - Visiting Dr. Sun Yat-Sen's Former Residence"

  Yuchi Tang

• Fragmentary Narratives: Globalization and Cultural Identity in the Films of Ang Lee

  Whitney Dilley

• Crouching Tiger, Hidden Dragon: (Re)packaging China and Selling the Hybridized Culture and Identity in an Age of Globalization

  Jennifer W. Jay

• The Gaze of the Other: On Ang Lee's Crouching Tiger, Hidden Dragon and Alfred Hitchcock's The Birds

  Robin Chen-hsing Tsai

• "Ou libéré!" Trauma and Memory in Edwidge Danticat's Breath, Eyes, Memory

  Pin-chia Feng

• Other as Self: Identification as Recognition and Defamiliarization in Drama

  Eugene Chen Eoyang