September 1996, Volume 23, Number 3

Articles

• Liminaire

  ROUMIANA DELTCHEVA, WACLAW M. OSADNIK, EDUARD VLASOV

  637-637

• Beyond the Boundaries of the Medium

  ROUMIANA DELTCHEVA

  639-644

• Film and Literature: Historical Models of Film Adaptation

  ALICJA HELMAN, WACLAW M. OSADNIK

  645-658

• Overcoming the Threshold: Bakhtin, Eisenstein, and the Cinema of German Expressionism

  EDUARD VLASOV

  659-678

• A Compromise with Literature? Making Sense of Intertitles in the Silent Films of Alexander Dovzhenko

  BOHDAN Y. NEBESIO

  679-700

• After the Carnival: The Filmic Prosaics of Schindler's List

  WILLIAM H. THORNTON

  701-708

• Neo-Realism/Neo-Counterfeitism in Literature and Film: André Gide and Maurizio Nichetti

  CARLO TESTA

  709-723

• Tracking the Dialectic: Theodor Adorno and Michael Mann's The Last of the Mohicans

  ALAN BOURASSA

  725-737

• Frankenstein of the Nineties: The Composite Body

  BOURIANA ZAKHARIEVA

  739-752

• Destination Classified: On the Transofrmation of Spatial Forms in Applying the Narrative Text to Film (The Case of Heart of Darkness and Apocalypse Now)

  ROUMIANA DELTCHEVA

  753-764

• Envisioning Spaces: Akira Kurosawa's Adaptation of Dostoevsky's The Idiot

  EMMA P. MARCIANO

  765-774

• King Lear's Filmic Adaptation: A Chaos?

  THAÏS FLORES NOGUEIRA DINIZ

  775-780

• Orphée à l'écran: Un défi représentatif

  SABINE HILLEN, NATHALIE ROELENS

  781-790

• Cinematic Adaptation: Orfeu Negro da Conceição

  JARED BANKS

  791-801

• Narrators in Narration in Fiction and Film: Ruth Prawer Jhabvala's Heat and Dust

  MARÍA CRISTINA RODRÍGUEZ

  803-808

• The Spirit of Australia in Picnic at Hanging Rock: A Cast Study in Film Adaptation

  MAREK HALTOF

  809-822

• Insect Poetics: Cronenberg's Naked Lunch

  WILLIAM BEARD

  823-852

• Literature-Film Relations: Selected Bibliography (1985-1996)

  ROUMIANA DELTCHEVA

  853-871